Other Films by Mercury Films
English & Hindi, English Subtitles, 62 min.
Documentary, 2006
Bodyculture Bodycult ©

I travelled to India with the idea of filming the tradition of Kushti – wrestling – also called Pehelwani. This led me to Jabalpur, a provinicial town in Central India, where a Kushti tournament was to take place. Even before the tournament actually began, I was drawn to the environment around – especially to the neat geometrically laid roads and the pastel coloured PWD (Public Works Department) buildings. These are typical elements of government compounds in India and exude an aura of bureaucratic action – its regularised, repetitive and often hierarchical ways. It was within such a government compound that the Kushti tournament was to take place and in a traditional way. The film follows the progress of the tournament, shows the arrangements, the rituals and some of the quaint occurings taking place. Thereby it also focusses on a young Pehelwan (wrestler) Basant Ahirwar fighting his way through the tournament. Additionally, a visit to an old Akhada (wrestling gym) in Jabalpur run by an office bearer of the tournament, helps to highlight the body practices of the Pehelwans and draw links between the happenings in the tournament and their traditional ways.

During the course of filming, I met a number of young men who were moving away from Pehelwani. For these men Body Building was cooler and more in! Following this up, I encountered a well entrenched scene of Body Building in Bhopal, a larger city not far from Jabalpur. The body builders I met here were categoric in distinguishing their bodies from that of the Pehelwans. It was soon apparent that here was a historically much younger tradition operating which set itself apart from Pehelwani. In this context I was able to follow up a Body Building Championship being organised in Bhopal. It was then that I decided to juxtapose sequences from the two body practices in the film thus bringing forth the varying approaches and the differing habitus of the protagonists involved. In this way, the film becomes a rather novel expression of the paradigm – tradition and modernity – in terms of sports and the male body in India.

Film concept and implementation: Sadashivam Rao

STILLS FROM THE FILM:
For information/distribution:
sadashivamrao@rediffmail.com